Review From Here

When American librarian Samantha Lewis and Irish rogue Keirnan Fitzgerald set off to find priceless jewels, they become embroiled in a 500-year-old love story that eerily prefigures their own…

In 15th century Venice, beautiful and wealthy Serafina falls in love with Nino, a young Florentine sculptor. They decide to flee to Padua, and to fund the trip, Nino copies a set of jewels that then disappear.

In modern-day Venice, Keirnan needs Samantha’s help to locate the jewels so he can pay his sister’s ransom. Samantha must decide whether the man she’s so drawn to is her soul mate from a previous life…or are they merely pawns in a relentless quest for a priceless treasure?

Not every woman who rides the fertility treatment roller coaster winds up like Octomom!

Who will find friends, family, and fertility?

Three women’s lives are intricately intertwined, as Amelia Schwartz and Summer Curtis struggle with the complex dynamics of intrafamily embryo adoption, and Chandy Markum strives to make her patients’ dreams a reality.

After more than a decade, of mourning her parents’ deaths, anal-retentive Amelia Schwartz decides to take control of her life, pursuing single motherhood via embryo adoption. While her fertility doctor, Chandy, is preoccupied with the destruction of the cosmopolitan Cape Town of her youth and her first love in apartheid-torn South Africa, believing all is lost, her niece, a young, married, overachieving attorney Summer Curtis, juggles zealous career ambitions, demanding bosses, and friction with her husband over family and fertility issues. They must confront the painful reality that, no matter what technology humans devise to manipulate reproduction, prolong life, and construct family units, they have not yet mastered control over their beginnings and endings.

Thrown all into this is one story that can make or break. Are you up to it?

Could you please tell us a little about your book?

Sure! I’m happy to share a blurb about Double Out and Back.

Not every woman who rides the fertility treatment roller coaster winds up like Octomom!
Who will find friends, family, and fertility?
Three women’s lives are intricately intertwined, as Amelia Schwartz and Summer Curtis struggle with the complex dynamics of intrafamily embryo adoption, and Chandy Markum strives to make her patients’ dreams a reality.
After more than a decade, of mourning her parents’ deaths, anal-retentive Amelia Schwartz decides to take control of her life, pursuing single motherhood via embryo adoption. While her fertility doctor, Chandy, is preoccupied with the destruction of the cosmopolitan Cape Town of her youth and her first love in apartheid-torn South Africa, believing all is lost, her niece, a young, married, overachieving attorney Summer Curtis, juggles zealous career ambitions, demanding bosses, and friction with her husband over family and fertility issues. They must confront the painful reality that, no matter what technology humans devise to manipulate reproduction, prolong life, and construct family units, they have not yet mastered control over their beginnings and endings.
Thrown all into this is one story that can make or break. Are you up to it?

Who or what is the inspiration behind this book?

I’m fascinated by the way construction of family-units is changing through technical advances in reproductive medicine and through evolving societal norms. When I was putting the finishing touches on this book and preparing to shop it around, Liza Mundy’s non-fiction work, Everything Conceivable came out. I was excited, because Double Out and Back explores from a literary perspective many of the same issues she examined as a journalist. Apparently, my publisher, too, was intrigued by these issues. I hope readers will enjoy the read.

Who is your biggest supporter?

My biggest supporter is my husband. He has always encouraged me to pursue my dreams. I agonized over leaving my law practice a few years back. He reminded me that nothing is a permanent decision. If I left and changed my mind, I could always go back. While he has always supported my writing efforts, respecting the time it takes from other pursuits, he used to view my writing as a hobby, likening my time at writer’s workshops and retreats to his poker nights and occasional trips to Atlantic City. I suppose, in a way, he was right, because he enjoys poker. Now that I have had some success, and my work has appeared in literary journals and the tremendous excitement over the publication of my debut novel, my biggest supporter is celebrating with me and urging me to keep writing.

Your biggest critic?

I am my own biggest critic. I could write and re-write the same story for my entire lifetime if left to my own devices. Every time I read one of my stories, I see ways to make it better, to tweak it, to enhance a character, a setting, to improve a phrase.

What cause are you most passionate about and why?

Over the years, American Heart Association, Susan B. Komen and Avon Breast Cancer Research, Parent Teacher Association, City Year For a Day, and causes that impact women, youth, family, and the environment, through volunteer efforts, walks, road races, servathons, and donations. However, in conjunction with my debut novel and its close ties to those dealing with infertility, I’d like to point readers to an organization called RESOLVE. It is a support group and information source for couples and individuals dealing with infertility. If you would like more information about how you can help, or how this organization can help you, please visit their website www.Resolve.org

Do you have any rituals you follow when finishing a piece of work?

One ritual I follow when finishing a piece of work is to record myself reading the piece aloud and then listen back to it. When I live with the prose day in day out for months (sometimes years), I become so close to the text, that reading aloud at one stretch helps me to slow down and find room for improvement. The added step of listening back to it helps to hear repetitions, adjust rhythm and pacing of the prose—that is, once I get over being annoyed hearing my own voice. After that, I persistently fuss over the text, obsessing until my editor tells me it’s time to let go.

Who has influenced you throughout your career as a writer?

The wonderful writers in my critique group have influenced me throughout my career as a writer. They inspire me, push me to improve my craft, give me great ideas to add to my writer’s toolkit, and amaze me by bravely sharing their own early drafts with me.

What is the most important thing in your life right now?

My family is the most important thing in my life right now. After all, my husband and children are the ones I feel most guilty about neglecting when I get so lost in the fictive dream that crafting a novel induces that we wind up with take-out for dinner!

What are you currently working on?

I have several projects at varying stages of development. I am perpetually almost finished with a second novel. It’s a tale of modern feminism beginning in pre-revolutionary Iran—a land of contradictions, where mini-skirted women with college degrees face arranged marriages. In addition, the first draft of a young adult fantasy novel is awaiting my attention, and two or three other concepts are in the research phase, which means I’m reading everything I can on the subjects, conducting interviews, and visiting locations.

Do you have any advice for writers or readers?

My advice to writers: Focus on learning the craft, first. If you are writing fiction, have a completed manuscript, before you even think about approaching an agent or publisher. You have to write because you love to write. Very few ever can quit their day job for this.

I would also advise them to write some short stories, too. Not only will it help to have a smaller palette to work on and a chance to complete something on a smaller scale. It will also allow a writer to hone her craft. It’s a great lesson to learn that every word must count. Every detail focused on in the plot should serve a purpose. Learn to read like a writer.

If a writer starts to lose momentum on her marathon of novel writing, take a workshop, read a book about writing style, plotting, and character development – anything to get creative juices flowing again.

I advise any aspiring novelist to take the time to analyze the novels she loves. Deconstruct them to learn what makes them work.

Join a critique group. Not only will you benefit from gaining feedback on your writing and learning from other writer’s challenges as they tackle their own plots, but it will enforce a regular deadline to have another chapter or excerpt completed. It will help you to keep up the momentum. AFTER you have a completed manuscript or story, then and only then test the waters in the publishing world. You can’t market a novel manuscript you haven’t yet written.

Is there an author that inspired you to write?

I’m heavily influenced by what I love to read. I have so many literary heroes, I could write volumes on the subject. I’ll share a few with you here.

I’m in awe of Alice Munro’s ability to sum up an entire lifetime in a sentence. I love the quirky characters of John Irving , the vivid, detailed descriptions of Ayn Rand, and the strong, pithy dialogue of Ernest Hemingway. I admire the character driven fiction of Julia Glass and the expertly plotted tales of Steven King. I admire the boldness of Barbara Kingsolver to tackle multiple, first-person points-of-view in one novel, and Amy Tan’s ability to carry me to a time and place I’ve never been and make it seem real to me.

What are some of your long term goals?

I have four novels in various stages of development, from percolating idea, to research and development, to manuscript-in-progress. My long term goals include completing these novels.

What do you feel has been your greatest achievement as an author?

So far, the completion and publication of Double Out and Back is my greatest achievement as an author. Crafting a novel is a marathon.

What do you feel is your biggest strength?

During critiques of my works in progress, critique partners have been impressed with and complimented the vividness of my characters. Likewise, when I’m asked to provide feedback on another writer’s work, I usually can pinpoint areas where the prose can become more specific to the character being portrayed, and make suggestions to improve the narrative to reveal details about a character’s observations, and inner-world. So, I’d have to say that character development is my biggest strength.

Biggest weakness?

Early drafts of my work tend to contain too much evidence that I am a recovering attorney. Crossing over from writing legalese, to writing fiction proved challenging. I kept providing too much detailed information—drawing conclusions for the reader after showing a plot point in an active scene. I work hard to weed out these spots where I spoon-feed information to the reader and trust that the active scene speaks for itself.

What do you feel sets this book apart from others in the same genre?

What’s striking about Double Out and Back is that it explores from a literary perspective, some of the social issues faced by a generation that has more options than ever when it comes to starting a family. What fascinates me is that when it comes right down to it, even with the technological advancements in reproduction and healthcare, families still must rely on one another to thrive.

You know the scenario – you’re stuck on an island. What book would you bring with you and why?

Recently, my answer has changed to this question. I used to think I would bring my copy of The Complete Works of William Shakespeare. But now, so long as I could rig some kind of generator to keep the battery charged, I would bring my Kindle! I would load it with not only the above volume, but with an entire library. The world of reading is changing. I’m ready for it!

Are you a different person now than you were 5 years ago? In what way/s?

Definitely. Five years ago, I had just left my law practice, was struggling to get a handle on being a stay at home mother, finding a new community, and discovering that writing fiction was just the creative outlet and intellectual stimulation I needed. Today, I am rooted in a writer’s lifestyle, loving the flexibility it gives me to be a part of my children’s lives on a day to day basis, and finding success placing the stories I have written.

What is the most important lesson you have learned from life so far?

The most important lesson I have learned from life so far is that :
Do whatever you can to achieve your goals, but realize that some things are beyond your control. This is the meta-message or theme of Double Out and Back.

Is there anything you regret doing/not doing?

“Regrets? I’ve got a few. But then again, too few to mention…” Oh, sorry. That was a quote from Man of LaMancha. However, it is fitting for the way I view my life. I am an eternal optimist. I’m the kind of person who takes responsibility for my own happiness. I do have a bad day every once in a while, and I often wonder what my life might have been if I had chosen a different path. But, I can’t, with honesty, call these wonderings regrets. Instead, I see them as fodder for fiction.

Is there anything else you would like to share with us?

You can purchase Double Out and Back at http://www.RedRosePublishing.com and other and other e-book outlets, like Book Strand, Mobipocket, All Romance, My Book Store and More, Barnes and Noble, Fictionwise, and Amazon. Distribution of Double Out and Back is still in what I’m calling its “Sneak Preview,” e-book phase. The print book is coming soon. If you would like to learn more about me or my writing, visit my website at http://www.LLLeibow.com There you will find links to my individual blog, Lisa Leibow’s Fodder for Fiction, and my group blog, The Roses of Prose, and buttons to follow me on Twitter, Facebook, and Goodreads.

Your daughter doesn’t come home one night from her summer job.

You go there looking for her. No one’s seen here. But it’s worse than that.

No one’s ever seen her. So where has she been going every day? And where is she now?

In Linwood Barclay’s riveting new thriller, an ordinary man’s desperate search for his daughter leads him into a dark world of corruption, exploitation, and murder. Tim Blake is about to learn that the people you think you know best are the ones harboring the biggest secrets.

Tim is an average guy. He sells cars. He has an ex-wife. She’s moved in with a man whose moody son spends more time online than he should. His girlfriend is turning out to be a bit of a flake. It’s not a life without hassles, but nothing will prepare Tim for the nightmare that’s about to begin.

Sydney vanishes into thin air. At the hotel where she supposedly worked, no one has ever heard of her. Even her closest friends seem to be at a loss. Now, as the days pass without word, Tim must face the fact that not only is Sydney missing, but that the daughter he’s loved and thought he knew is a virtual stranger.

As he retraces Sydney’s steps, Tim discovers that the suburban Connecticut town he always thought of as idyllic is anything but. What he doesn’t know is that his every move is being watched. There are others who want to find Syd as much as Tim does.

But they’re not planning a Welcome Home party.

The closer Tim comes to the truth, the closer he comes to every parent’s worst nightmare—and the kind of evil only a parent’s love has a chance in hell of stopping.

 

Dramatic, moving, and exquisitely written, A Better View of Paradise explores the tender bond between fathers and daughters, ponders the delicate nature of healing, and celebrates the redemptive power of forgiveness and love.

Thirty-six-year-old Stevie Pollack has come into her own as a celebrated landscape architect. Her designs, famed for their evocative natural beauty, reflect her upbringing amid the splendor of Hawai‘i. But when critics blast her latest efforts and her boyfriend abruptly ends their relationship, Stevie seeks solace in her roots among the dazzling flowers, and comforting traditions of the islands and their calming waters. Still, in the back of her mind, Hawai‘i holds troubling memories of a childhood with Hank, her emotionally distant father, and a reserved British mother.

Despite her irascible father’s presence, the trip home promises Stevie a welcome departure from her trials on the mainland. But the shocking news that Hank is dying forces the pair’s reunion into high gear. As father and daughter attempt to rekindle their bond, Stevie discovers sides of Hank she never knew, including family secrets that have shaped their lives. And what started as a holiday escape for the beleaguered architect becomes a chance for transformation, one as exciting as it is uncertain. Inspired by her father’s insight, and energized by the attentions of an attractive local veterinarian, Stevie learns to surrender her inhibitions and seize the day.

 

 

The meeting place was carefully chosen: an abandoned church in rural Ireland just after dark. For Jonathan Quinn—a freelance operative and professional “cleaner”—the job was only to observe. If his cleanup skills were needed, it would mean things had gone horribly wrong. But an assassin hidden in a tree assured just that. And suddenly Quinn had four dead bodies to dispose of and one astounding clue—to a mystery that is about to spin wildly out of control.

Three jobs, no questions. That was the deal Quinn had struck with his client at the Office. Unfortunately for him, Ireland was just the first. Now Quinn, along with his colleague and girlfriend—the lethal Orlando—has a new assignment touched off by the killings in Ireland. Their quarry is a U.N. aide worker named Marion Dupuis who has suddenly disappeared from her assignment in war-torn Africa. When Quinn finally catches a glimpse of her, she quickly flees, frantic and scared. And not alone.

For Quinn the assignment has now changed. Find Marion Dupuis, and the child she is protecting, and keep them from harm. If it were only that easy.

Soon Quinn and Orlando find themselves in a bunker in the California hills, where Quinn will unearth a horrifying plot that is about to reach stage critical for a gathering of world leaders—and an act of terror more cunning, and more insidious, than anyone can guess.

Fast, smart, sleek, and stunning, Shadow of Betrayal is vintage Brett Battles: a gritty, gripping masterpiece of suspense, a thriller that makes the pulse pound—and stirs the heart as well.