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Archive for November 1st, 2009

Interview with Lynda McDaniel, author of “Words @ Work”

Lynda McDaniel loves to get people fired up about writing. Whether she’s coaching, training, or writing books, she digs into her satchel of proven techniques and personal experiences to help them increase their confidence and catapult their creativity. As they work together, her clients can better access their own problem-solving and creative-thinking skills and draw from their strengths and stories—the ones that set them apart from the rest and help them excel at work.

In August 2009, Lynda published her latest book, Words @ Work: Powerful business writing delivers increased sales, improved results and even a promotion or two. It draws on her lifetime of writing books, articles, and business documents with essays and instruction. More than how to dot Is and cross Ts, Words @ Work teaches readers how to think big and write big. It explores how to mine their creativity and write their ideas in an organized and compelling way so that they can persuade, sell, teach, improve, guide, explain, change, contribute, motivate, praise, recommend, propose, and create.

Her next book is entitled Words @ Work-Book. The companion to Words @ Work, it takes readers deeper into the fundamentals of good writing. (Available fall 2009.) Too often today, business writing is like the literary equivalent of fast food: slapped together, full of fat, and hard to digest. Through interesting, short quizzes, and fun exercises, readers refresh their understanding of grammar, punctuation, and style. And by the time they finish Words @ Work-Book, they’ll be ready to write letters that get results, documents that demand attention, and proposals that persuade.

In 2005, she created and produced Compelling Communications©, a series of business-writing seminars. Her coaching and seminar clients include the City of Seattle, Cutter & Buck, First Choice Health, Kroll Security, Seattle Chamber of Commerce, Seneca Real Estate Group, Sound Inpatients Physicians, T-Mobile, U.S. Small Business Administration, University of Puget Sound, University of Washington, and YMCA.

She brings bring more than 25 years of writing experience to her seminars, presentations and books. National companies I’ve written for include DuPont, Kennedy Center for the Performing Arts, and Georgia Institute of Technology. Her long career as a journalist includes feature articles for magazines and newspapers such as Law & Politics, Associations Now, Southern Living, Country Living, Yoga Journal, University of Chicago Magazine, Atlanta Journal & Constitution, Seattle Post-Intelligencer, guideposts.com, and washingtonpost.com.

Lynda spent years learning how to write and tell great stories, and she loves to share all the tools and tips she’s learned along the way. And she still writes, every day. She has an unflagging commitment to both the science and art of writing. www.lyndmcdaniel.com and www.lyndamcdaniel.com/blog.asp. Or www.afcbw.com
Could you please tell us a little about your book?
The title, which is a long one, sums it up: Words at Work: Powerful business writing delivers increased sales, improved results, and even a promotion or two. A veteran writing coach shows you how. The book shows everyone from C-level to entry level how to jump-start their writing—and results. Each chapter starts with a short essay from my life that illustrates a key issue about the writing process. (My clients keep telling me how much my life experiences inspired them.) The rest of the chapter includes detailed explanations and examples about that issue. Topics include: Listen to your gut, write for your readers, overcome your fears, copy great writers, tap into your creativity, tell stories, and most importantly, trust yourself.

Did something specific happen to prompt you to write this book?
I heard a student tell another student as they left my writing class, “They sure don’t teach this in school!” That meant the world to me. I knew I had tapped into something special, and I wanted to share that with a wider audience.

Who or what is the inspiration behind this book?
I love taking all the things I’ve learned during my writing and writing coaching career—sometimes the hard way—to make other people’s lives easier. I am self-taught and struggled at times to learn and advance in my career—and I thought about how many more people I could help through a book. I wrote Words at Work for everyone who wants to write well, and especially for those who thought they couldn’t. They can.

Who is your biggest supporter?
My students and clients. They know the improved results—and self-esteem—they’ve enjoyed through our work together. And I’m pleased that Words at Work just won the top award in the National Best Books 2009 Awards in the category of writing/publishing. That really validates what I’m trying to say and how I said it.

Your biggest critic?
Me. I’m a tough editor of my writing, but over the years, I’ve learned to lighten up. I trust myself more now and write more often from my heart than my head. That’s how I wrote Words at Work, and I like the way it turned out.

What cause are you most passionate about and why?
I’m very politically involved, and I care very much about helping people live into their potential. Words at Work is a small contribution to that. I believe if people can express themselves better, they’ll achieve their goals faster and understand themselves better (which is how we live into our potential).

In the last year have you learned or improved on any skills?
Writing Words at Work this year really fine-tuned my own writing. Books are like that. Unlike the hundreds of magazine articles I’ve written over the years, books take a lot longer. Because of its length (compared to an article), Words at Work really made me think about fundamentals like planning, organization, tone, and style. Writing about writing kept me on my toes!

Do you have any rituals you follow when finishing a piece of work?
I eat out at a fancy restaurant. I can celebrate my accomplishments in a lovely setting with food that excites my palate. And who knows? Maybe I’ll see some crazy street scene on the way or some incident at the restaurant that inspires me to write another story.

words at work

In her latest book—Words @ Work: Powerful business writing delivers increased sales, improved results, and even a promotion or twoLynda McDaniel shares tools and techniques she developed over her long career as a writer and business writing coach.

 

Not taught in school

Words @ Work helps fill in the gap between what’s taught in school and what’s needed on the job. Many topics covered in Words @ Work are very different from those in most business writing books.

Like these five unique ways to improve business writing:

 

· Eureka!—Tap into your creativity in just 10 minutes to improve your writing—and your career.

· Stories—Tell tales and keep your audience captivated. Stories appeal to our emotions, which is what makes us buy. Not selling anything? Think again. Everything we write is a sales piece.

· Projection—Pay attention to your thoughts about others—they’re telling you something important about your hopes, your dreams, and your writing.

· Deconstruction—Borrow from the best to make your writing better. Study the work of professional writers to learn how to make your own writing sing.

· Bad writers just stopped too soon—Edit in short, sharp bursts rather than one longer session. With each shorter session, your brain helps you find more mistakes and misstatements.

Step by step

Each chapter starts with a short essay from McDaniel’s life that illustrates a key issue about the writing process. The rest of the chapter includes detailed explanations and examples about that issue. Topics include:

· Listen to your gut

· Write for your readers

· Overcome the fear of starting

· Write fast first drafts

· Tap into your creativity

· Edit your way to success, to name a few.

Introduction

Does writing well still matter in a time of e-mail, texting, and Twitter?

You bet it does.

Writing is so much more than stringing words together. The process of writing can help you clarify your thoughts and uncover ideas you didn’t know you had. Writing well can deliver increased sales, improved results, and even a promotion or two.

I admit that as a professional writer for 25 years and a business writing coach for five, I’m hopelessly in love with words: their flow, their nuance, their message. At the same time, I appreciate what a boon to business e-mail and text-messaging can be. Quick questions, fast answers, no postage—I’m all for them! But somewhere along the way, we’re losing our ability to write.

When you write only short e-mail and text messages, your ability to develop your thoughts shrivels, along with your ability to persuade, sell, teach, improve, guide, change, contribute, and create. Words @ Work is about learning how to tap into your deepest thoughts and present them in an organized and compelling way. It’s about thinking big and writing big.

Nothing to fear but…
While living on my farm, I discovered a lot of things about writing by observing nature. My favorite lesson—there is a season for everything—taught me that there is a time to plan, a time to work, a time to rest, and a time to reap the rewards of all that effort. It makes perfect sense. No one sits down and writes something brilliant. It takes time pondering and planning, writing and editing. I learned that writing is more like picking blackberries than huckleberries. Huckleberries, heavy bunches hanging low in August, fall into your bucket with the slightest nudging. Every now and then that happens with writing—the words just tumble out. But more often, writing is like picking blackberries—thorny patches keeping your ideas just out of reach. But keep stretching, and you’ll get to the good stuff. Like that cobbler cooling on the windowsill. Most of these obstacles boil down to fear. Fear of getting it “wrong.” Fear of not finishing. Fear of finishing. And there’s nothing unusual about that. Everyone feels—some more often than others—that fear of a blank screen or empty pad of paper. Fear makes us think we have no interest in writing. Clients tell me they hate to write, but later I find that
they’re afraid to write because someone—their boss, client, or even that ornery editor in their own head—is standing by to criticize. It makes us freeze, procrastinate, even clean our offices before we write. But when that fear is lifted, when people understand how important writing is to their careers and that everyone can learn to write, incredible things happen.

Ornery Editor

In Chapter One, I mentioned a season for everything. That certainly applies to ornery editor (OE). Who’s that? As if we don’t get enough grief from bosses and know-it-alls, most of us carry around this voice inside our head, the one making annoying—even crippling—remarks like, “This is really bad. You’ll never get this article sold. Man, how can you keep doing this? You ought to quit!” And, of course, he picks on your first drafts. While I learned that I can’t make my OE go away, I’ve trained myself to ignore him while I’m writing early drafts. That’s essential. You need the space to experiment
and try again. Keep your OE as far away from the writing process as possible. Otherwise he’ll do his best to make you give up or churn out something tried and true like everyone else. But I also learned that I needed to let my OE back in during my editing process. That’s when he just might have something valuable to say. “That’s too long. That doesn’t feel right. Something’s clunky. I don’t think your readers will understand that. Can’t you find a more exciting verb than ‘is’?” I can’t tell you how often, when I felt tired or lazy, I’d ignore his promptings—usually an uneasy feeling in my gut about a certain paragraph—only to have an editor criticize that very paragraph.

Tools of the trade

I learned a lot from … journalists and copywriters. I enjoyed picking up the paper and reading their articles. And once I realized how much journalism meant to me, I set about learning all I could from them. So, let’s explore some of the best techniques journalism offers to writers in the business world.

Inverted Pyramid

This journalist’s tool looks like an upside-down pyramid—with the tip pointing down and the broad base at the top. It’s a great icon to keep in mind as you organize anything you’re writing—from a letter or e-mail to a report or newsletter article. It looks like what your document should look like—stacked right from the beginning with the best stuff on top and winding down to a well-rounded finish.

Six Wise Men

The Six Wise Men are classic reporter questions: who, why, what, where, when, and how. With some exceptions, they all need to be answered to make your document complete. I use them as a safety net—if I’ve answered all six in my writing, I feel confident that I’ve covered all the bases.

Deconstruction

The inspiration for deconstruction struck while I was visiting an art museum. The text panel explained that Degas and Cassatt applied for permits to the Louvre to copy the Great Masters. I was stunned. It had never occurred to me that it was okay to copy greatness. Wasn’t that cheating? Weren’t we taught in school never to copy? For writers, doesn’t that edge dangerously close to plagiarism? Eventually, though, I realized that deconstruction, like artists at the Louvre, was simply an exercise, not a finished product. Degas and Cassatt developed their own unmistakable styles—they just wanted to practice techniques and prime their creativity at the same time.

We learn by example, by mimicking greatness until it feels natural to us. To translate that for writing, instead of envying other writers, I needed to take a closer look at what I admired about their work. I needed to study greatness. While teaching myself to write, I spent hours poring over books and magazines. I made copious notes of how the writers handled their information. I earmarked pages until the magazine didn’t close right.

Corporatespeak

Today, as a business writing coach, I help people break off their love affair with six syllables when one works even better. I’ve read some paragraphs so convoluted I had to ask clients to explain what they were trying to say to their readers. When they start talking, their thoughts come out fresh and clear. I stop them before they forget what they just said and tell them, “Put that down!” I keep a file of bad examples because some of them are unimaginable. You couldn’t make it up if you tried.

1. “The purpose of this report is to clarify the communications endeavor we discussed and further develop the necessary components for review by the board, inasmuch as…”

2. “The process, if accelerated through the strategic channels in the allotted timeframe, will leverage our deployment as an immeasurable uniqueness in the marketplace.”

Relax. Be yourself. Use plain English. Write in an open, honest style. Don’t try too hard. Conversational writing is in. Large words and convoluted sentences don’t get the message across. Just talk to your readers. In turn, you’ll increase sales, eliminate misunderstandings, and achieve goals faster.

WIIFM – What’s in it for me?

That’s what all readers are thinking, consciously or not. And you’ve got 10 seconds to convince them you understand their needs. It’s easy to talk about yourself, your products, and your services and assume that readers make the jump to how those features will benefit them. They don’t. First, you need to ask, interview, and watch so you understand what they want and need. Then, you need to write to them, address their needs, concerns, and problems. As a result, you’ll grab their attention and keep them engaged.

How to get where you want to go

Think of your writing as a bus making its way through traffic. All the best words and phrases are on board, along with your features and benefits. And the proper use of commas, periods, and dashes (like road signs) are making the ride smoother for your readers. But who’s driving the bus? If it’s you (the writer), that bus is headed in the wrong direction. Put your reader in the driver’s seat, and that bus is speeding toward the results you both need. As you let the reader drive your bus, you’ll share benefits and results they care about (rather than all the features you’re so proud of).

Telling tales for fun and profit

Observation is one of the best ways to develop stories. Pay attention to anecdotes in everyday life—and write them down. (Your memory really isn’t as good as you think.) As a reporter, I’ve honed the skills of looking and listening. I eavesdrop at restaurants and on buses (and hear the most amazing things). One of my favorite observations took place on the highest summit in Georgia, Brasstown Bald (4,784 feet). Ten years later, I used their exchange for a lead in an article about wildflowers.

Two women walking in the woods stopped to investigate a shock of red against the muted forest floor.

“What’s that?” one asked.

“Oh, nothing,” the other said. “Just an old wildflower.”

I overhead this exchange almost 20 years ago, but I still can’t believe my ears. They stood before petals of red, dew-dotted emerald leaves, pistils laden with gold, fragrance as sweet as the senses can register—a flower that had returned year after year through too much rain and too little, through winter’s cold and summer’s heat. And they dissed it?

Listen to what your customers, employees, bosses—whomever you’re writing to—have to say. Eavesdrop. Ask questions. What do they like? What would make their lives easier? In a perfect world, what do they hope you can deliver? Shape your documents to respond to their needs. Remember that our biggest task in business writing is to write to our reader, not just dump our information on them. Stories increase your readers’ ability to grasp your information. Instead of deadly diatribes or boring PowerPoints, share stories, scenarios, situations, and case studies.

“As a professional, I have had the opportunity to read and use the wisdom from many self help books and the key is finding one that is timely, doesn’t demean and is immediately useful. McDaniel achieves this by teaching you the process from beginning to end, including the little used rough draft and self-critique. In order to become a good writer, you need to become your audience. McDaniel shows you how to see your writing through the eyes of others, how to target your audience and how to make more out of less.

–Jeannie S. Saunders

“I just got the book yesterday and what’s wonderful about it is how grounded in real-life experience it is. No hocus-pocus or hokum. It’s going to be very valuable resource for those who want to improve their business and professional writing. And it was a nice refresher for me too! (I’m a professional writer/editor).”

–Annie Simpkinson

“A must-have for anyone who aspires to be a better writer — whether it’s to improve your performance on the job, land a better job, create snappier copy for your website, or write everyday communications without embarrassing yourself (or your company).

This is NOT a grammar book or a dry-as-dust business textbook. Words @ Work breaks new ground by showing you how to overcome “writer’s block” and organize your thoughts before your start writing. Then, once you’ve released a free flow of ideas, the book guides you through an editing process that shapes your message into an effective finished draft.

What surprised me was how entertaining and inspiring this book is. Lynda McDaniel uses stories from her own working and writing life to illustrate each chapter’s key concept — whether it’s about unleashing your creativity, or learning to avoid “corporatespeak” to find your authentic writing voice. It’s as if Strunk and White’s “The Elements of Style” merged with Julia Cameron’s “The Artist’s Way” to create something quite fresh: a guide to using your creative (“right-brain”) powers to write more effectively in a rational (“left-brained”) business world.

–Gina E. Willis

Lynda McDaniel’s WORDS @ WORK VIRTUAL BLOG TOUR ‘09 will officially begin on Nov. 2 and end on Nov. 27. You can visit Lynda’s blog stops at www.virtualbooktours.wordpress.com during the month of November to find out more about this great book and talented author!

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Winner, winner, chicken dinner!

Happy Sunday everyone!  Sorry for the slight delay in picking book winners – we were out of town yesterday for Halloween and didn’t get back until very late.  If you are picked as a winner, please shoot me off an email with your full mailing address so I can send it to the publisher.  Here are the winner:

Emily Waits For Her Family:
Julie L.

Cheating Death:
Jenera
Eva
Margay
Lisa A.
Karen K.

The Heretic’s Daughter
Beth BBRB
Lethea Benson
Vicki
Amanda
Amy

Life After Genius
Pam R.
etiriv
Sarah Emmerson
Karen K.
Beth BBRB

My Paper Chase
Beth BBRB
Karen K.
Julie L.
Susan
Andrea

Girl on Top:
Rachel W.
Pearl
Lisa A.
Benita
Karen K.

Thanks to everyone for leaving comments…it really means so much and makes this all worthwhile!

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